This new hymn written by CityAlight has found a needful place within our church hymnody; the text and tune go exactly how the voices and instruments want to go! The theme of redemption never grows old, and this hymn nails the beauty of it all. This accompaniments captures whatt he writers intended, with a constant sixteenth-note pattern in the RH and simple half notes in the LH. Treble clef instruments are added in this arrangement, coming in after the first half of the stanza has been sung, and the bass clef instruments are added later, and help to satisfy the final stanza, key change, and conclusion. Also, a treble clef solo instrument is featured during the third stanza (in this video, it is played by horn), giving some variety and layered nuance to the text and harmonies. The tag is repeated twice at the end, with a deceptive cadence, and is clearly marked in the score and parts.
Real Responses from Congregations
Molly’s congregational accompaniments add a freshness to treasured hymns of the past that enables a cross-generational congregation to join together in passionate worship of a great God.

We love using these arrangements at Valley Community Baptist Church in our worship setting, regardless if we are using just piano and organ on a particular Sunday, or our full orchestra with choir and congregation. As the organist, the conductors score offers a great organ score option as an asset for churches using organ with these settings without revamping the piano score, making it quite easy… Thank you, Molly!
Molly plays for the church my mother-in-law attends. The congregation becomes like a big choir with her arrangements. I’ve enjoyed the music when we’ve visited!
It is with the greatest enthusiasm that I recommend the hymnody work of Molly. Whether you are looking for accessible yet creative arrangements to new hymns or seeking to add energy and a fresh approach to hymns you have sung for years, herein lies your answer! Our people love to sing and the material found on this website has brought life to our singing that was not there before.


