This arrangement of the well-known hymn tune follows an easy path, maintains a lower key for all singers to enjoy singing the melody, and uses substitution chords throughout for harmonic satisfaction. It begins with the piano opening for the first stanza, omits the chorus to develop the arrangement, and then moves into the second stanza, adding the orchestral instruments. The third stanza repeats the material from the second stanza, and the piano and instruments play a key change to enter voices into the fourth stanza. Includes a full score, a piano score, and all individual instrumental parts: treble clef C instrument, treble clef B-flat instrument, horn, and bass clef instrument.
Real Responses from Congregations
Molly plays for the church my mother-in-law attends. The congregation becomes like a big choir with her arrangements. I’ve enjoyed the music when we’ve visited!
The beautiful accompaniment and the unison congregation could be used both congregationally and chorally (as we did)… For small to medium-sized choirs on low attendance Sundays these could be effective choral pieces or as a way to develop choir and orchestra when (as is our case) some choir members are also instrumentalists. We used three pieces as part of our Easter celebration. All were very well received. We were able to include our developing orchestra with all of it. So, thank you!

We love using these arrangements at Valley Community Baptist Church in our worship setting, regardless if we are using just piano and organ on a particular Sunday, or our full orchestra with choir and congregation. As the organist, the conductors score offers a great organ score option as an asset for churches using organ with these settings without revamping the piano score, making it quite easy… Thank you, Molly!
Molly’s congregational accompaniments add a freshness to treasured hymns of the past that enables a cross-generational congregation to join together in passionate worship of a great God.


